Аноним asked: by any chance could you do a lil tutorial/process of how you draw limbs in different poses? esp. legs/thighs, your legs always look so jaunty and charming i love it but i never know what to, ,, ,,, do with mine, like where to put them so
Okay! I’m going to try to answer this best I can, but before I do, please remember I am just a humble animation student and by no means a professional artist or a seasoned expert, so this might not be the correct way to do things or be extremely accurate. This is just how I do it, and a couple tips I’ve picked up from teachers at school.
First of all, getting familiar with the anatomy of legs helps a lot! (I know this is the dreaded answer to every art question) I don’t know too much about the muscles of the legs other than the basics, so I don’t talk about them here because I don’t want to look like an idiot. They’re very worth studying though, especially the muscles that form the inside of the thigh and back of the calf.
Those are some leg studies I did from life in class last year, with the key parts labelled.
Chances are you’ve tried to draw legs and??
Unless you’re going for a certain style, legs that look like straight tubes or 90 degree angles are gonna look a bit weird.
As you can see with the life drawings above, legs have certain natural curves and rhythms to them! None of the bones in the legs are straight or tubular, so your legs should not be either.
Sorry for the really mediocre pelvis it’s not my strong suit oh god. It’s easy to characterize the legs as something like this:
Remembering that the knee is a hinge joint and that it has a sort of curved offset from the upper leg to the lower leg really helps.
So when you keep that offset in mind and apply some curves over the muscle and fat layered on top of those BEAUTIFULLY RHYTHMIC bones, you get dynamic flow in your legs. The hip (trochanter), kneecap (patella) and ankle (fibula/tibia malleolus) are good landmarks to keep in mind.
So by applying some curves, you get a softer/more dynamic/rhythmic feel to the legs that makes your figure look a lot less static even if they are standing entirely still. It’s also worth noting most people shift their weight onto one hip or another, position their feet weirdly, etc etc.
i know im on semi-hiatus now but i totally forgot a couple of people wanted me to post my brush settings and that doesn’t take too much time so here they are! plus a sketch to show the results i get with it.
this is the only brush i use next to the standard pen tool (to lay down flat colors.)
As promised, here’s the newest (and somewhat improved) version of my Paint Tool SAI! I’ll put up a link in my description and tutorials directory, too! It’s a full and free version, so nothing is limited!
WHAT’S INSIDE:
An unholy amount of brush & paper textures.
An unholy amount of brushes, some of my mains’ settings edited according to what i use.
A few brushes with settings from my favorite artists.
And for the fellow DR-Edit/OC spriter, the custom pen I use to make my sprites. And not only that, but a small palette of some of the colors I use for sprites!
That’s it. That’s literally it.
look at all these brushes.
To install, all you need to do is unzip the .rar file and click on the application that says “sai” ! Hope you guys enjoy it!
A simple guide to picking a great color palette. No matter what the colors are, using colors that are certain distances from each other on the color wheel result in a great contrast of colors. The simple color schemes shown above are used in the most popular logos, posters, websites, paintings, and even movies and television.
I always struggled drawing hands before anyone told me what to do. So here is a HANDy dandy drawing reference to see the steps on an actual hand. There are three big muscles in the palm. The thumb lump is most important because without it you’ll never even get the shape right. Circle up the knuckles and draw bendy lines (red) to connect them. Make sure the fingers go from medium-tall-short-shortest just slightly (index=>pinky finger). Notice the big red squareish shape around the palm-that’s the first thing I do. Note: every infer has 2 knuckles don’t forget the thumb does too…just in a weird way.
